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If you try and use the Arousor as a 1-to-1 distressor plugin (adjust the settings the same), you'll find you have to tweak it to sit as the distressor does. Instead, what he managed to do is add greater functionality to his classic analog compressor. The biggest misconception that is floating around the audio networks is the assumption that Derr wished to recreate his distressor in a plugin. This is an amazing plugin made by Derr and Empirical Labs. It is incredibly easy to set up and with a few slight deviations from the distressor for instance, a different choice of ratios but the flavor will be definitely there. However, if you wish to play around with different distortion types and drive the input hard enough, you could get some gritty sounds that will be of use on an FX bus or as a layered distortion effect.įrom Cocell productions, Pensadia SOR8 is definitely a simple, inexpensive distressor emulation. When you're driving them, they will not react nearly the same way as the analog gain knobs.
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The strangest part here is that the input and output gain knobs will be very touchy. But it certainly has its place in the arsenal if you wish for a quick, heavy-handed fix for a distortion effect with a distressor-like GUI and approach. It might not be the exact emulation but it does have some unique distortion that happens when you drive it hard.Ĭompared to other plugins, the SOR8's distortion will be extremely digital-sounding very fast and it can be pretty sharp on the top end. Upon first glance, you'll be able to see the big knobs just like the ones in the analog unit. The Cocell Productions SOR8 is definitely one of the cheapest distressor-type plugins available in the market.
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If you've ever wished to get a software version, you will know how many options there are available. Derr and Empirical Labs also got into the act, developing the Arousor. The distressor will allow users to mimic what they truly love about the compressors, including in the EL8-X version of the British Mode and the LA-2A emulating "Opto" mode while also offering a wide range of ratios and a level of comfort that isn't found on older units.Ī little more than 2 decades after its release, the distressor has managed to attract its own emulators. While they're rightfully revered, the 1176 and LA-2A definitely come with quirks and limitations. Instead, the ratio will fluctuate internally based on the strength of the signal. The LA-2A does not allow you to set the ratio. The 1176 allows you to decide between four different ratios, although you can use all four of them simultaneously in what is called "British" or "All-Buttons Mode", which the engineers use for getting an aggressive, distorted sound. What made the distressor truly unique is the way it makes use of its ratio while also giving you an insane amount of control.įor the ones who may not know, the ratio of a compressor will determine how much the unit will blunt a signal that meets or exceeds the given threshold.
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However, it certainly comes with unique gifts that make it well worth a place in any studio's arsenal, even the ones lucky enough to have classics at their disposal. It was the first of several pieces of top-end studio gear that was manufactured in Empirical Labs.ĭerr modeled the Distressor after the favorite parts of the classic 1176 and LA-2A compressors. The Distressor was first prototyped back in 1994 and released officially in 1996.
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Before he found Empirical Labs, he was an engineer at Eventide where he helped make the H3000 Ultra-Harmonizer, which was a multi-effects unit that also became a mainstay in pro studios.
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If you're in the market for one of these plugins, how to tell which one best emulates the original? Or maybe one does not hew closely to its analog counterpart yet still has a distinct flair all its own? A quick history lesson of the distressorĭave Derr is the creator of the Distressor. It is only fitting that there will be many software plugins that try and mimic all or some of its distinct mojo.
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With over 30,000 units around the world, the Empirical Labs Distressor seems to have become a staple of the recording industry, adding a unique compression option to countless records in a great number of the world's professional studios.